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	<title>Capsule Blog &#187; Tony Dudley Evans</title>
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		<title>The Ex &amp; Brass Unbound photos</title>
		<link>http://www.capsule.org.uk/blog/2010/02/04/the-ex-brass-unbound-photos/</link>
		<comments>http://www.capsule.org.uk/blog/2010/02/04/the-ex-brass-unbound-photos/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 11:34:46 +0000</pubDate>
		<dc:creator>Capsule</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[birmingham]]></category>
		<category><![CDATA[birmingham jazz]]></category>
		<category><![CDATA[Brass unbound]]></category>
		<category><![CDATA[capsule]]></category>
		<category><![CDATA[The Ex]]></category>
		<category><![CDATA[The Hare & Hounds]]></category>
		<category><![CDATA[Tony Dudley Evans]]></category>
		<category><![CDATA[zun zun egui]]></category>

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		<description><![CDATA[Zun Zun Egui
The Ex &#38; Brass Unbound


This was an amazing gig bringing together the energy and anarchy of the punk rock band The Ex with the drive of Brass Unbound, a brass section with Ken Vandermark and Mats Gustafsson on baritone and tenor sax, Roy Paci on trumpet and Wolter Wierbos on trombone.  The sheer [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;"><a href="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/zunzun1.jpg"><img class="aligncenter size-full wp-image-981" title="zunzun1" src="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/zunzun1.jpg" alt="" width="499" height="307" /></a><a href="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/zunzun2.jpg"><img class="aligncenter size-full wp-image-982" title="zunzun2" src="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/zunzun2.jpg" alt="" width="499" height="307" /></a><em><strong>Zun Zun Egui</p>
<p><a href="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/theex_1.jpg"><img class="aligncenter size-full wp-image-983" title="theex_1" src="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/theex_1.jpg" alt="" width="499" height="307" /></a><a href="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/theex_2.jpg"><img class="aligncenter size-full wp-image-984" title="theex_2" src="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/theex_2.jpg" alt="" width="499" height="307" /></a><a href="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/theex_3.jpg"><img class="aligncenter size-full wp-image-985" title="theex_3" src="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/theex_3.jpg" alt="" width="499" height="307" /></a><a href="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/thex_4.jpg"><img class="aligncenter size-full wp-image-986" title="thex_4" src="http://www.capsule.org.uk/blog/wp-content/uploads/2010/02/thex_4.jpg" alt="" width="499" height="307" /></a>The Ex &amp; Brass Unbound</p>
<p><a href="http://www.birminghamjazz.co.uk/?p=2326" target="_blank"></a><br />
</strong></em></p>
<blockquote><p>This was an amazing gig bringing together the energy and anarchy of the punk rock band <strong><a title="The Ex" href="http://www.birminghamjazz.co.uk/?tag=the-ex">The Ex</a></strong> with the drive of <strong><a title="Brass Unbound" href="http://www.birminghamjazz.co.uk/?tag=brass-unbound">Brass Unbound</a></strong>, a brass section with <strong><a title="Ken Vandermark" href="http://www.birminghamjazz.co.uk/?tag=ken-vandermark">Ken Vandermark</a> </strong>and <strong><a title="Mats Gustafsson" href="http://www.birminghamjazz.co.uk/?tag=mats-gustafsson">Mats Gustafsson</a></strong> on baritone and tenor sax, <strong><a title="Roy Paci" href="http://www.birminghamjazz.co.uk/?tag=roy-paci">Roy Paci</a></strong> on trumpet and <strong><a title="Wolter Wierbos" href="http://www.birminghamjazz.co.uk/?tag=wolter-wierbos">Wolter Wierbos</a> </strong>on trombone.  The sheer volume of sound and the swirling rhythms created a stunning degree of excitement.  Basically it was led by The Ex with weird but wonderful vocals and an excellent drummer.  I am often critical of the limitations of rock drummers, but this one (sadly I didn’t get her name) really drove the band in a very interesting way totally different from what <a title="jazz" href="http://www.birminghamjazz.co.uk/?tag=jazz">jazz</a> drummers do.  Brass Unbound essentially added riffs that blended very effectively and excitingly with the The Ex rhythms.</p></blockquote>
<blockquote><p>I have one fairly major reservation.  As the gig progressed, I began to want Brass Unbound to vary their role more and to have rather more freedom.  There were some solos: a particular good one from Ken, one of Mats’ almost trademark screaming solos, and punchy contributions from Paci and Wierbos, but more would have been nice.</p>
<p>This was, however, another good example of rock and jazz mixing naturally and successfully.  It wasn’t jazz rock as that term has become associated with a certain style that emerged in the 1960s and 70s.  Here it was a rock gig incorporating strong elements of <a title="free jazz" href="http://www.birminghamjazz.co.uk/?tag=free-jazz">free jazz</a> , but in a very structured way.  And it certainly wasn’t jazz drawing on rock.  We will have to start thinking of new names to capture this important and exciting music.<br />
<em><strong><br />
Review by Tony Dudley Evans of <a href="http://www.birminghamjazz.co.uk/?p=2326" target="_blank">Birmingham Jazz</a></strong></em><br />
<em>Photos by Jenny Moore</em></p></blockquote>
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