Be part of ‘A Secret Rose’ for 100 Guitars by Rhys Chatham


Capsule are partnering with this exciting project as part of the Frontiers Festival.

CALL OUT!!!
We’re looking for participants to take part in A Secret Rose for 100 Guitars by Rhys Chatham – information about the piece, and the most recent performance in California last November, is here. Chatham was a pioneer of No Wave music in New York in the mid/late ‘70s, and from the late ‘80s onwards has been making these large-scale ‘guitar orchestra’ pieces. There’s a Pitchfork review of his work here, also listing some of the many guitarists who’ve been performed in his pieces in the past from Thurston Moore to Modern Lovers’ Ernie Brooks.

We’re planning the first UK performance, for Birmingham Town Hall on 7 June. Rehearsals on 5 & 6 June. It will be a once-in-a-lifetime experience, and we have guitarists coming from across the world, from Baltimore and Buenos Aires to Balsall Heath. Alongside Rhys, the section leaders include Seth Olinsky (Akron/Family), Tobin Summerfield (Never Enough Hope, Crush Kill Destroy etc), and David Daniell (San Agustin, collaborator with Fennesz / Tony Buck etc); and the rhythm section has Laurence Hunt (Pram, Modified Toy Orchestra) and Sebastiano Dessaney.

Participation is voluntary for what amounts to a unique gig. You need to be a competent guitarist with at least a rudimentary comprehension of standard musical notation, and be available for rehearsals on the late afternoon / evening of 5 & 6 June, and for the performance on 7 June. The sign-up page is here: http://birmingham-secret-rose.frontporchproductions.org/

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Charlemagne Palestine and Rhys Chatham + Ex Easter Island Head

Charlemagne Palestine and Rhys Chatham first met in the late 60’s in New York and last Saturday saw the two giants in modern composition collaborate for the first time in 30 years.

Their performance gave us an insight into 2 performers who respect and admire each other and even featured some audience participation. Their onstage banter was one of old friends enjoying themselves.

The evening began with a captivating performance by Ex Easter Island Head in their large guitar ensemble guise. 12 guitarists (plus 1 drummer) played adapted guitars that created a joyous cacophony of repeated phrases and harmonics.

 

All images

by Katja Ogrin

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Meet Rhys Chatham

Next month, a stellar collaboration comes to Library of Birmingham – Rhys Chatham & Charlemagne Palestine perform in collaboration, this performance will be a UK exclusive. Two giants in composition, this show will be unmissable. Selftitled Mag have published an interview with Rhys Chatham, touching on his part in the No Wave scene during the 1970s, his iconic mass guitar ensembles and his admiration for bands like OM and Sunn0))).

“When I was in the no-wave scene, that was a curse word—’composer’. People like Lydia Lunch and James Chance would beat me up after a concert, like, ‘Oh, you conservatory musicians, we don’t want to hear anything about you!’ So I had to prove myself.

I’m essentially

a minimalist composer though. I studied with La Monte [Young] and worked with people like Tony Conrad, so I’m definitely coming from that background, although now I just don’t care. I’m a composer/performer, you know? In the same tradition as Terry Riley, who was the model for us all.” Read the full article

Saturday 2nd November, 8pm.
Rhys Chatham & Charlemagne Palestine
Ex Easter Island Head Large Guitar Ensemble
Library of Birmingham
Tickets are available from www.birmingham-box.co.uk

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Discover New Music – Tickets now on sale


We are delighted to announce that tickets are now on sale for our Discover New Music series for the opening of the Library of Birmingham.
Tickets can be purchased via the Box office www.birmingham-box.co.uk 0121 245 4455

Our adventure with the role and function of the Library of Birmingham continues with a series of cutting edge live music performances. The breadth of performances on offer showcase some of the most exciting music around, from internationally renowned artists to young Birmingham bands making a real impact on the independent music scene.

 


Leftfoot presents Omar
Friday 6 September 2013
Venue Studio Theatre Library of Birmingham
Ticket price £15
Box office www.birmingham-box.co.uk 0121 245 4455

A British soul singer, songwriter and musician, Omar learned his craft classically, playing the trumpet, piano and percussion. Making albums since the early 1990s, his work is often compared to Stevie Wonder’s work of the 1970s. He is described by some as the father of British neo soul.
www.omarmusic.co.uk

Leftfoot was founded back in 2000 by Adam Regan and Richard Whittingham, and has evolved into one of the most important left-of-centre, soul- based projects in the UK. Voted the best Club Night by Gilles Peterson in 2003, the intervening decade has witnessed Leftfoot’s pioneering progression, hosting guests across a vibrant palette covering house, hip-hop, disco, jazz, funk, soul, reggae, electronic drums & bass, techno, Afrobeat, Latin and more.


Rise of Birmingham
Wednesday 2 October 2013
Venue Studio Theatre Library of Birmingham
Ticket price £5
Box office www.birmingham-box.co.uk 0121 245 4455

The city’s music scene has been making an impressive impact on the national indie scene in recent years. Last year, NME celebrated the ‘Rise of Birmingham’ and the diverse indie music scene here. This night will see some performances from some of the best emerging bands in the region including:

Free School
Bringing the sunny Balearic sounds of summer and the icy kosmische sounds of winter, Free School are maximalist and minimalist all at once. wearefreeschool.com

Victories At Sea
Victories At Sea are an experimental three piece, citing influences as wide and diverse as Slowdive, Boards of Canada, and M83 through to more unadulterated alternatives such as Echo and The Bunnymen. victoriesatsea.co.uk

Victor
Noise quintet whose diverse influences blend to create a mash up of genres, creating a new sound that has something for every alternative pallet.
 facebook.com/ victortheverbose

Youth Man
They generate an infectious energy during their intense live show as three individuals grapple with their instruments to whip up a reckless tornado of sound, flailing limbs and musical angst that is a feast for the senses.


Bring To Light Weekend
Friday –Sunday 25-27 October
Venue Rainbow Warehouse + Studio Theatre Library of Birmingham
Ticket price £40 weekend ticket
Box office www.theticketsellers.co.uk
0844 870 0000

Capsule will curate a weekend of adventurous music, celebrating the very best in new music and performance. Producing extraordinary events for adventurous audiences, Capsule have a keen eye and ear for the most exciting music and performance around.

Over the last 10 years Capsule’s Supersonic Festival has gained a reputation as one of the best experimental music festivals in the world, at its heart a passion for genre bending sound and performance. The festival will return in 2014 at a brand new city centre based location.

A Supersonic Festival inspired weekend, Bring to Light’s varied programme will combine electronic music, folk, black metal, electro acoustic composition, hip hop and more.
Friday’s programme will see performances in the industrial space of the Rainbow Warehouse in Digbeth, for the rest of the weekend dynamic new music will invade the Library of Birmingham.

This weekend of dynamic and innovative sound will include:
Dinos Chapman / Shangaan Electro / Josephine Foster / Clipping / Deafheaven / Masaki Batoh / Robedoor / Zomes / High Wolf / Kogumaza / Richard Dawson / Sleaford Mods / Sarah Angliss / Delia Darlings / Laurence Hunt / Hordes


Rhys Chatham & Charlemagne Palestine
+ special guests Ex Easter Island Head

Saturday 2 November 2013
Studio Theatre Library of Birmingham
Ticket price £12
Box office www.birmingham-box.co.uk
0121 245 4455

Charlemagne Palestine is an American composer, performer, and visual artist. A contemporary of Philip Glass, Terry Riley, Phill Niblock, and Steve Reich. Rhys Chatham is a composer, guitarist and trumpet player from Manhattan, currently living in Paris, who altered the DNA of rock.
Chatham and Palestine first met in the late 60s in New York, at the end of 2012; they decided to revisit their collaboration. This will be a UK exclusive and an incredible opportunity to see two giants in contemporary composition perform together.

Ex-Easter Island Head are a Liverpool-based ensemble composing and performing for solid body electric guitar, percussion and other instruments. Their music – played on horizontally mounted mallet-struck guitars alongside a battery of unusual percussion – has been compared to the likes of Steve Reich, Balinese Gamelan and Claude Debussy.

Large Electric Ensemble was commissioned for the inaugural World Event Young Artists (WEYA) festival, held in Nottingham 2012. Utilising an ensemble of experienced local musicians the piece sees an ensemble of 12 guitarists playing modified ‘third bridge’ guitars from a unique graphic score to create a unique shimmering soundworld, rich in heavenly drones, overtones and repetition.

Adrian Utley’s Guitar Orchestra performs Terry Riley’s in ‘C’
 + special guests Pram
Sunday 24 November 2013
Studio Theatre Library of Birmingham
Ticket price £15
Box office www.birmingham-box.co.uk 0121 245 4455

Adrian Utley is devoted to breaking new ground and exploring the potential of the guitar. As a member of the experimental electronic band, Portishead, Utley is jazz trained, with a passion for the minimalist approach to playing. To celebrate his love of experimental techniques, Utley’s task for the Discovery Season is to spearhead a guitar orchestra that will be re-interpret Terry Riley’s ‘In C’, which although written in 1964, is one of the most influential music pieces of the 20th century.
The audience will witness fifty three different ways of the playing the C note which will form an unforgettable performance, supported by organ music and percussionists. To commemorate this unique concert, Invada Records will release a recorded live version in the Autumn of 2013.

Birmingham’s Pram craft fairytales from concrete reality. The second city’s spin cycle of perpetual renovation, from the slum clearances to its current cosmetic upgrade, is etched in Pram’s restless groove, an endearing and gently refusenik mix encircling early Rough Trade innovators The Raincoats, astro jazz, sci-fi soundtracks, creepy Victoriana, tropical analogue and tumbledown funk.

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