A Secret Rose for 100 Guitars by Rhys Chatham

As part of the Frontiers Festival. Rhys Chatham will perform ‘ A Secret Rose’ (UK Premiere)

See Chatham, section leaders David Daniell, Seth Olinsky, and Toby Summerfield, Birmingham-based rhythm section Laurence Hunt of Pram and bassist Sebastiano Dessaney joined by 100 guitarists perform his mesmerising piece, A Secret Rose, in the magnificent setting of Town Hall. Pictures for Music (1979) by Robert Longo will accompany the performance as visual projections. Whether experienced as spectator or performer, A Secret Rose for 100 Guitars will be a truly awe-inspiring and unifying once-in-a-lifetime event.

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Descent

Descent – MortonUnderwood
at Warwick Arts Centre / Millennium Point

The first commission to come out of the Capsule Lab series in collaboration with Warwick Arts Centre Descent, meaning a flock of woodpeckers, a new sound based installation created by artist duo MortonUnderwood. A series of electronic woodpeckers will be positioned within the public realm. You spot a colourful button. You press it and a note resonates across the space. You press it again and realise that a bird is perched overhead, which percusses the surface of a post as you press the button. You spot other buttons, each triggering a bird that percusses a surface. You get it; someone has exposed the musical potential of this space. You play.

The work will be shown as part of Sonic Gorilla at Warwick Arts Centre and then at Millennium Point from 30 May – 14 June

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Supersonic Kids Gigs

Supersonic Festival wants to inspire the audiences and musicians of the future through our Kids Gigs programme. This year we will be hosting a Kids Gig event on Friday May 30th. This is a free event and recommended for children under 10 and their families. It will take place in the foyer of Symphony Hall at 10:30am.

Leading this Kids Gig is artist Sarah Kenchington who  makes, designs and adapts acoustic musical instruments. She performs on a semi mechanical pedal powered orchestra, designed to be slightly beyond her control, creating a mixture of dirty noise and plaintive almost tuneful melodies.

As well as her solo performances Sarah has performed and recorded with a range of musicians from Glasgow’s vibrant experimental music scene including Daniel Padden, Mark Vernon and Luke Fowler. She also builds large scale instruments and installations, including ‘Wind Pipes’ for Edinburgh art festival, made from salvaged church organ pipes. And ‘Sound House’ for Modern Art Oxford, an instrument made from a house.

Supersonic’s Kids Gig on May 30th will be at Symphony Hall – free event
Suitable for children under 10

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MELT BANANA + THRILLING HEADGEAR + GLATZE

 

Melt Banana official

From the whip-like crack of Yako’s signature staccato vocals and impossible-to-memorize lyrics to the relentless overdrive tempo of their one of-a-kind prog-core, MELT BANANA have long resided in a cybertopia of their own devising where the limits of technology and human capability are old-world concerns as quaint and cumbersome as bartering with a blacksmith. The demos for Fetch, their first studio album since the severely fried pop-punk of 1997’s Bambi’s Dilemma, were completed in March 2011, but the Fukushima earthquake changed everything, including their ability to concentrate on recording. Which stopped completely.

 

Once they felt ready to return to their music, they decided to approach the songs on a sound-by-sound basis, choosing each tone with meticulous attention to detail, affirming their personal connections, being themselves naturally and openly.

 

 

They’ve been performing live as a duo since summer 2012, and will do the same for their “2 do what 2 fetch” tour in support of the album. After nearly 20 years of playing with a live rhythm section, their use of a PC, while opening possibilities for a variety of drum and synth voicings, does not signal a move away from the traditional live band sound, as heard, for example, via the future transmissions from downtown Noiseapolis on 2009’s Lite Live: Ver. 0.0. Yako and Agata say they need to feel real band sounds onstage as much as someone in the audience. This is a group that routinely excels at several kinds of impossible simultaneously, so of course any new challenge they come up with for themselves is sure to blow the doors off your Mini Cooper.

 

THRILLING HEADGEAR

Swelling from out of the cosmic putrescence of the Wizzleteat corpse, Thrilling Headgear force day-glo colours into angular shapes, holding groove as dogma. At turns both despondant and ethereal, TH play bleeted punk rock, transcendent and engaged, psychonautical engineering for earth-bound space mechanics.

GLATZE

Glatze is back! After a brief hiatus the one-man musical loon has been coaxed out to play by the prospect of supporting Melt Banana again, for old times’ sake. Glatze’s first gig for Capsule was this very same support slot, back in 2009. Expect the usual live improvised electronic mayhem, with just a hint more “mad professor” than “young buck”. He promises to do his very best in support of one of his favourite live acts…

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RSC – Who Wears The Trousers


Ferguson Room, Swan Theatre, Royal Shakespeare Company, Stratford upon Avon

Girls Who Draw are a group of female illustrators from across the UK. Inspired by the Swan Theatre production of The Roaring Girl, they playfully explore the tradition of cross-dressing in theatre and how clothes are used to express identity.

 

The Roaring Girl was written in 1612 by Thomas Dekker and Thomas Middleton. It features Moll Cutpurse, a character based on the real life Mary Frith.

The term ‘Roaring Girl’ comes from the much more common phrase ‘Roaring Boy’. ‘Roaring Boy’ was used to describe wild, outspoken men who committed petty crime and brawled on the streets.

 

Moll was a notorious ‘Roaring Girl’ who publically shocked and challenged the authorities by wearing men’s clothing while performing on stage, both were illegal at the time.

 

Theatre has used cross-dressing throughout history to challenge norms of femininity and shock audiences.

What does clothing mean today in a world where women wear trousers, men have long hair and clothing is often gender neutral?

Cross-dressing refers to wearing clothing and accessories commonly linked with the opposite sex within a particular society. Cross-dressing has been used for purposes of disguise, comfort, and theatrical effect throughout history as well as to shock and challenge social norms.

The actual determination of what constitutes cross-dressing is largely socially constructed.
As societies are becoming more global in nature, both men’s and women’s clothing are adopting styles of dress associated with other cultures. Traditional gender stereotypes have been challenged and reset in recent years.  Popular culture is full of examples where lines have been crossed. One of the earliest celebrities to challenge gender stereotypes was Elvis Presley in the 1950s.  His wardrobe and use of makeup led traditionalists to riot. Presley inspired other artists in the 1960s, such as the Beatles and the Rolling Stones, to experiment with long hair and neutral costumes. Many musicians challenged gender stereotypes, for example Jimi Hendrix who wore women’s shirts, scarves, and high-heeled boots.

These trends have arguably gone on to reshape fashion. In contemporary society, we are less bound by ‘dress’ as a way of defining what is male or female.  Gender can have ambiguity and fluidity as demonstrated by the characters created by the Girls Who Draw.

website link

Suitable for all ages.

Curated by Capsule and the RSC.

Artists
Anke Weckmann
Originally from a little town in northern Germany, Anke Weckmann has been living and working in London since 2001. She is happiest when she can draw all day, go on adventures with her sketchbook, eat watermelons and meet new people and cats.
Her work is inspired by great female characters including Pippi Longstocking, Katniss Everdeen, Lisbeth Salander, Margaret Tenenbaum, Anne Shirley and Cassie Ainsworth.
www.linotte.net

Elle Donlon
Graduated from the University of the Arts London in 2011 with a BA (Hons) in Fine Art: Drawing. Working in numerous art galleries in London after graduating, she returned to Birmingham in 2013 to spend more time making work.
After producing a lot of word-based art in college, she has returned her focus to illustration. She worked in screen printing for a short while and now runs a record shop based in East-side Birmingham with her partner. In the last year she has come to focus on a career in tattooing and has begun translating her designs into tattoos.

Jane McGuinness
Jane is a Scottish-born illustrator currently based in Birmingham. She creates work in a variety of forms including screen prints, comics and picture books; and she likes to make books by hand when she can. Frequent points of inspiration are songs and folk tales, the past, animals and nature.
www.janemcguinness.co.uk

Karoline Rerrie
Karoline is an illustrator who creates images by hand using drawing and silk screen printing. She sees her work as a craft and strives to maintain a handmade element which is what initially led her to explore printmaking. Karoline now designs, makes and sells a range of hand printed multiples including greetings cards, artists’ books and prints.
Collaboration and participation are important elements of Karoline’s creative practice; she shares her skills and ideas with others through a variety of projects. These include co-ordinating group exhibitions and the publication of limited editions.
Her illustrations are characterised by the use of bold outlines, pattern and bright colours. As well as printmaking she is interested in folk art and craft from around the world. Her most recent designs are inspired by Eastern European crafts including Russian Loubok prints, traditional Polish paper cuts, Bulgarian costumes and dolls.
karolinemadethis.blogspot.co.uk

Kristyna Baczynski
An illustrator, comic artist and designer. Freelancing from her studio in Leeds, she creates books, comics, zines, posters, apparel, stationery and more for a wide range of clients including Chipotle, Anorak, Digital Arts and NME.
As well as publishing her own comics, Kristyna has worked with publishers in the UK and internationally such as Image, Blank Slate Books, Solipsistic Pop, The Stool Pigeon, Bimba, Hic+Hoc and Tiny Pencil.
www.kristyna.co.uk

Laura Kate Chapman
An illustrator currently living in Liverpool. Graduated from Liverpool John Moores University in 2008 with a first class degree in Graphic Arts. Her illustrative style is best described as lovingly meticulous, weaving intricate patterns into her work, creating a visual world that gives the mundane a more magical feel and above all else to make people smile.
With a passion for typography, constantly doodling ideas for new letter forms and exploring how type and image can work together to become one beautifully designed piece of work. Type can be just as visually exciting as a piece of imagery and Laura takes an illustrative approach to creating letter forms so they retain a hand drawn quality.
www.laura-katedraws.co.uk

Mina Braun
Mina was born and raised in Germany, where she studied visual communication at the Kassel Academy of Art between 1999 and 2003. She then completed both a BA Hons in Illustration and a Master of Design at the Edinburgh College of Art. As a student Mina discovered her love for printmaking, particularly screen printing.
In 2011 Mina had her first solo-exhibition Time to Wonder in Edinburgh’s Red Door Gallery. Together with a group of illustrators Mina is currently working towards her latest exhibition in St Margaret’s House in Edinburgh, where her studio is based.
Her prints and illustrations have been used for several publications in literature and music; some of her prints will be published in France this year with Éditions L’aucèu libre. Mina is currently represented by LBA Books, Literary Agency in London.
www.minabraun.com

Ruth Green
Ruth is a screen-printer based in Birmingham. Her brightly coloured compositions are inspired by mid-century design, and by the animals and plants of the British countryside. High quality paper is used to make prints in small, collectable editions. Each one is hand signed, and numbered. Ruth’s work has been published as a range of greetings cards by Cardmix. The prints have appeared in ‘Elle Decoration’ and the design book, Print and Pattern 2. In 2011, Tate Publishing produced Ruth’s first book for children, Noisy Neighbours. She is Stanley’s Plan with Tate, due for release in 2015.
www.ruthgreendesign.com

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The Ex + Rattle + Health & Efficiency

They are the most interesting musical unit in the world today…Go and see the Ex and you will hear rhythms you have never heard before…a sweaty seething party, an uplifting, joyful celebration.” – The Quietus

Capsule are delighted to announce THE EX will be performing in Birmingham at the Hare & Hounds on April 18th.

Since emerging in 1979, Dutch anarcho-punk band THE EX have embarked on a series of adventurous collaborations, making their musical style impossible to confine to any one genre. Beginning in the 80s The Ex partnered with jazz musicians and an Iraqi-Kurdish band. Later, in the 90s the group found a myriad of partners from varied musical and non-musical backgrounds including Kamagurka, Tom Cora, Sonic Youth, Han Bennink, Jan Mulder, Shellac and Wolter Wierbos.

THE EX return to the UK this Spring and have just released a brand new 7” single. The A-side ‘How Thick You Think’ is available to listen to courtesy of The Quietus.

RATTLE

If the idea of a band consisting of just 2 drummers brings to mind a hippy bongo nightmare then you’ve obviously never heard RATTLE. Comprising of 2 of Nottingham’s most unique and recognisable drummers (Theresa Wrigley of Fists and Katharine Brown of KOGUMAZA) and aided by Kogumaza’s Mark Spivey they create a hypnotic and danceable music form that recalls This Heat or ESG even whilst remaining completely their own.

HEALTH & EFFICIENCY

Drawing influence and inspiration from a heterogeneous selection of art and music H&E formed in 2009. They combine elements of punk-rock, no-wave, free jazz, psych-folk, minimalist composition, and improvisation into a dynamic balance that sounds spontaneous and harmonious in its execution.

Tickets for THE EX + RATTLE + HEALTH & EFFICIENCY at Hare & Hounds on April 18th are available for purchase now and also include entry to a secondary stage which is being co-hosted by our friends at MILQUE & MUHLE.

ghould_web

The  MILQUE & MUHLE programme includes:

GHOLD

With a heavy bass line and percussive drums, this sludge rock duo pay homage to the early days of Sludge with bands like the Melvins, Karp and Godheadsilo.

MOB RULES

‘Cesstone music to try the patience of the Hardcore’, MOB RULES are arguably one of best bands on the UK Hardcore scene at the moment, Leeds anger-fuelled Powerviolence at its best. Formed in 2008, this four-piece are practically Leeds’ answer to Black Flag.

SUMP

Formed in 2008, SUMP is a Yorkshire two-piece consisting of George Proctor (guitar) and Gareth Howells (drums and vocals). Sump is a glorious fusion of Black Metal and Punk, this isn’t the first time the two have come together, yet somehow Sump achieve a unique and exciting sound.

BAYONNEBLEEDER

This will be the second show from local Hardcore outfit BAYONNEBLEEDER, who have spent over a year refining their tight and rapid sound; They take influence from bands such as Rorschach, Septic Death and His Hero Is Gone.

+ DJ SETS FROM LUKE YOUNGER & CHRIS BRESS

Buy tickets here for THE EX, RATTLE, HEALTH & EFFICIENCY and the MILQUE & MUHLE  line-up. Tickets include entry to both stages.

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Bureau of Lost Discoveries

A suitcase and a sense of adventure go hand in hand so there is a reason that the suitcase features so prominently in film and fiction. Whether it is a box of memories, exploits, danger or just the everyday, it has the potential to be filled with a sense of wonder. Playing on this intriguing atmosphere, Scottish theatre maker Eric MacLennan has invented an installation that is both performance and art.

MacLennan’s desire to take part in the Discovery Season was so that he could create theatre in a non-theatre setting. The aim is for the viewer to experience the excitement felt when watching a performance, but in the style of a special encounter. MacLennan’s set up allows the spectator to instantly become involved in the story, and to become a character in their own personal adventure.

The Pavilion will host a rolling programme of Creative Residencies. Artists, film makers, book makers and a range of other creatives will set up home in The Pavilion for a week, making new work and offering a variety of free activities for Library visitors.

Each week, visitors entering the space will be treated to a different experience, ranging from interactive pieces such as audience inspired theatre and film workshops to exhibitions of sci-fi sculptures made from junk and artefacts honouring lost mythical deities. The Library’s collections and literary resources inspired much of the programme, and each residency will encourage audiences to discover something new in the Library of Birmingham.

Part of the Discovery season.

 

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Sunday Film Club: Christmas Shorts


Sunday Film Club presented by KINO 10 sees a quirky mix of films for each month of the Discovery season. Tickets are £5, FREE for under 12s

15 December at 2pm

Family friendly Christmas shorts:  The Snowman (Dir. Dianne Jackson & Jimmy T. Murakami) 1982
+ Peter and the Wolf (Dir. Suzie Templeton) 2006

Screening of the seasonal classic short The Snowman with live musical accompaniment, Suzie Templeton’s Academy Award winning animation Peter and the Wolf, and more.
www.kino10.com

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