We are trying to keep up with technology by signing up to Twitter, feel free to follow us with all the latest news to do with Supersonic Festival and of course if Frank ( the puppy dog) does anything amazing like looking cuter than normal. http://twitter.com/supersonicfest
Twitter illustration by Ben Javens, part of his bird and pattern series. Cute dog courtesy of Frank (Capsule head of security)

First ever Supersonic Festival design by CHU

Walsall born artist, CHU ( famous for his ‘Your Mum Rang’ sticker campaign) has produced a three colour signed screen print, limited to an edition of 50, 500mm x 700mm on archival acid-free, bright white Bread & Butter 270gsm.

They’ll be available from the Dreweatts collections during February, further details here.
Designed for Supersonic Festival 2003 which saw live performances from Coil, V/VM, LCD Sound System and The Bug amongst a host of other fine acts. Brings back happy naive memories of building a stage over the ‘lake’ at the Custard Factory, until we realised we could have electrocuted the entire audience, happy days.

Supersonic Festival 2003 over water

We have just confirmed a slew of aural delights for your listening & viewing pleasure over the coming months. The very talented artist/illustrator (best known for his designs for Static Caravan recordings) Ben Javens has created some quite extraordinary posters for us. Its well worth checking out his blog and shop to sample more of his work.

First off on Friday 30th of Jan – WOLVES IN THE THRONE ROOM, an eco Black Metal band of the darkest and most ferocious kind, support comes in the form of the mighty Welsh trio TAINT and ex Doom/Police Bastard and featuring Brummie of the Year, Johnny Dooms band HAXAN – this will take place on Friday 30th of Jan at The Dragon Bar, located on Digbeth High Street. (+ a plug for House Of Gods 16th Birthday at the Rainbow Warehouse which takes place on the same night with the dark lords PCM live from 10pm – 6am)

Then in Capsule style we have a special event for Friday the 13th of Feb with a headline show by Birmingham’s PRAM, visuals by Filmficciones, support from Jagjaguwar (home to Bon Iver + Black Mountain) latest signing WOMEN, this is on  Friday 13th of Feb at the Hare & Hounds.

Later that month, a very rare live collaboration between drummer extraordinaire CHRIS CORSANO and the legendary jazz Sax player PAUL DUNMALL, with support from THEO aka Sam Knight, the solo guitar/drums act which blew audiences away when he performed last year for Capsule.
Advance tickets for these shows are available from www.theticketsellers.co.uk, and we’ve introduced an e-ticket which means a minimal booking fee for you. Tickets are also available from Swordfish in Birmingham city centre and Polar Bear on York Road in Kings Heath.

Tickets are also on sale for American folk band VETIVER and in time to celebrate their 10th anniversary MONO from Japan will be performing in Birmingham in March.

As a New Years gift to you all, for a limited period our Supersonic Festival hoodys will be at a ridiculously cheap price. Just £20 for the Supersonic logo hoody which comes in either navy with a silver print or the grey hoody with the turquoise print, this is a saving of a whole 10 English pounds!!! They are printed on heavy weight Fly 53 hoodys. Buy Now

And then the Supersonic 08 limited artist edition by Gunsho is now £30 down from £35. Buy Now!!!

Capsule wish you all a Merry Xmas and Happy New Year – thanks for all your support!

A warm welcome to our newest member of the family – little Frank, a miniature wired hair Dachshund. He will be taking on the role of security at Capsule HQ and we’re sure he will do a marvellous job. (And just think of the outfits and flyers that could come of this new arrival)

A hearty congratulations to Johnny Doom for being voted Brummie Of The Year on Birmingham: Its Not Shit, he won with 31% (879 Votes).
This is what he had to say about his triumphant win:

Hooooray!

Huge thanks to everyone who voted!

Loads of you got behind me this year (oooooer!)…and i am truly greatful for your support.

As alot of you will know, I have been around Brum for ages playing
noisy music, getting trashed and generally trying to enjoy myself in
this grey sprawling metropolis…..

I started off playing at the Mermaid pub in Sparkhill in the late
eighties with my punk band Doom…then moved to Moseley in the early
nineties allowing me to meet hundreds of strange and interesting new
folk which made way for much partying, debauchery and mayhem!!! Many
fun times have been had at Eddies, Excels, the Coach and Horses, the
Jug of Ale, the Cocks, the Hare and Hounds, Scruffies…even the Moseley
Dance Centre!!! eeek!

Getting a job at Kerrang has also been a dream come true, allowing
me to focus on my main passions (music and talking bollox!) and this
year has been especially fantastic being involved in the Home Of Metal
project, working at Supersonic, meeting Tony Iommi from Sabbath, making
a new album with my band Haxan, supporting loads of underground music
(not just metal!) and generally trying to promote my love for a city
that deserves much more recognition for its humour, intelligence,
creative community and it’s overall output.

Thanks and viking hails to my inner circle…. Frances, Clive, Nick,
Dee, Rachel, Stu, Jo, Rick, Sam, Mum, Dad, Julie and Sue, Allie, the
entire Kerrang team, Carmen and the stay sick rockers, Capsule ladies,
Stagecraft crew, the Moseley and Kings Heath massive, my listeners, the
brummie punks, the brummie metallers and anyone else who knows me or
voted for me…..

Hail Satan!

xx

johnny doom

I was asked to write a piece for Night times Newspaper this week in response to Birmingham City Council and their Big City Plan – they wanted to hear from what our ideas and thoughts were about Digbeth. Here is the piece for you to read:

Capsule is an award-winning organisation based in Digbeth and have developed our creative business over the past 10 years in this area. We produce and curate the Supersonic Festival which is currently housed within the Custard Factory as well as partnering with other arts organisations in the area including Eastside Projects, Vivid and Ikon Eastside. The festival takes place over 3 days in July, attracting an audience of 5000 people, 80 % of which come from outside the region and 6% are international visitors coming from as far as Japan, Australia and the USA. Supersonic attracts the highest calibre of leftfield/experimental artists to the UK, whilst offering unique collaborations and performances. We have gained an excellent reputation including such accolades as being named ‘Festival of the Year’ by Plan B Magazine up against such festivals as Sonar in Barcelona, and receiving £350,000 value of press for Supersonic 2008, and in turn for Digbeth and the City.  Our audience stay in hotels, eat and shop in the area as well as engage with other creative activity that takes place in the city.
Capsule on average produce and promote an additional 25 live events a year again bringing to the city some of the most exciting international acts as well as supporting regional talent.

Currently our success has happened in spite of the city rather than because of it,  just think what could be achieved if we worked together.  Travelling frequently to other cities these are some suggestions to make Digbeth blossom as a cultural quarter:

• Why do people get on planes and trains to come to Supersonic – because we offer them a totally unique experience of the highest quality.  There is a real opportunity to acknowledge what makes Birmingham a unique city and invest in independent and niche activity.  Steer clear of a homogenised approach – learn from those that do it well and have a track record.
• Lets learn from other cities like Berlin, Glasgow and Manchester and take risks with our empty buildings – an opportunity to invest in content to be housed in these empty spaces to animate the area, lets not be so precious i.e. noise restrictions – creativity is often loud and messy lets embrace and celebrate this.
• Encourage more creative companies to have the opportunity to be able to buy their own buildings rather than be tied to short-term leases.
• Create flexible spaces that can house a variety of activity which changes from week to week, this will keep the area vibrant.
• Don’t just invest in a couple of landlords this creates a monopoly.
• Lets get the basics right – look at infrastructure: cash points, post offices, signage, and streetlights.
• Think about the visitors experience as well as what its like to work in this area, lets make it the highest quality experience – currently feels like quite an intimidating, unfriendly area.
• Creative quarters need to grow organically, invest in supporting growth rather than imposing structured ideas of what you think creativity should be.
• Remember areas develop over time not over night.

FYI in a similar vein – Great piece written recently by Jon Bounds of Birmingham’s Not Shit on the idea of a creative director for Birmingham – and the best put analogy I’ve read/heard for how Birmingham get things wrong – “I want to stop being embarrassed by Birmingham, like in the way you’re embarrassed by dad dancing.”, “it’s like it’s organised by the PTA”, “no-one wants to say anything because they [the organisers] are so nice”.