Capsule zine no.4 – this time put together by Mark Murphy
Containing interviews with Nicholas Bullen about Zine culture and sound artist Jony Easterby.

Independent Culture for Independent Students: ENGAGING NEW AUDIENCES IN BIRMINGHAM

Arguably, one of the biggest influxes of new people to the city of Birmingham is the thousands upon thousands of new students arriving here every September. In September 2007, I was one of them.

Upon arrival, I had very little knowledge of the city and what happens here apart from the events the student union were relentlessly promoting during freshers week. With loans providing a new found, short term wealth, the general consensus suggests to quickly consume as many £1 pints and 2 for 1 shots you can whilst vertical, and then pay a visit to the nauseating glamour of broad street (amongst others) to waste some more of that cash you’ll long for a few months down the line. Sure, the big night out, club culture clearly appeals to many and seems to do well at catering for much of the student population. However, I soon found myself becoming quickly disillusioned with a student lifestyle that I wasn’t interested in being a part of, yet seemingly was all that was presented to me. Something that I now understand to be a fallacy, but why didn’t I then?

The university I attend, without naming names (although I’m sure you can guess) has campuses across the city and whilst it offers a wide range of courses, it’s probably fair to say that many come under the general brackets of the creative arts and media. The students of which are exactly the sorts of creative types you’d expect to see filling live music events and engaging with the local cultural community. So why don’t they? Why do the West Midlands have much lower attendance for cultural events than other regions?

Well, there is the lack of late night public transport in the city, the actual geography and location of many of the better independent venues, making getting to and from particularly difficult for some (for piss poor students, a taxi fare is usually out of the question). What about the potential apathy of Birmingham audiences? This is something particularly noticeable in my fellow students, but perhaps, through no fault of their own.

It’s taken me the best part of three years here in Birmingham to fully discover and become involved in its vibrant, yet hidden underbelly of music, art and creative culture and I love it. Prompting discussion among peers however often results in blank faces; they don’t know it exists, just like I didn’t. Its not the fault of the city’s independent promoters or venues, they do the best they can with what resources they have, and in most cases they do a bloody good job that goes unnoticed. But Birmingham’s creative sector needs help with the students. Universities – open up the gates for access; let non-union posters go up around campuses, allow flyer distribution and evangelise about the city’s creative networks and many events. It’s no surprise that attendance figures in the union are dropping when all that’s offered is a spotty DJ with the latest Kaiser Chiefs record. Unions need programming and promoters need audiences. Opportunity knocks? We also need a council that does the same. Instead of attracting kids to Birmingham because they can spend their money in the same clubs, bars, restaurants and shops as any other large town in the country, sell Birmingham because it’s offering things that are unique to here.

So, to all the higher education establishments of Birmingham and to BCC, lend us a hand will you? Let’s grab these new audiences before they get lost in the chaff and show them all the real reasons to stay in Birmingham on completing their studies.
David Breese

Taken from our latest Capsule Zine
What are your thoughts?

Interview by Terrorizer Magazine
Former Napalm Death frontman and Scorn mastermind Nik Bullen has joined up with JOHNNY DOOM, ex of Doom and Sore Throat for a special performance at this year’s SUPERSONIC FESTIVAL (Birmingham Custard Factory, July 25-26) under the name LIGHT TRAP. With little information out there other than the promise of ‘blackened and primitive noise rock’, Johnny let us know what’s up.

Introduce Light Trap to us, what’s the story and what’s it like?

“Light Trap is a new collaboration between myself, Nik Bullen and Dougie who drums for a great local atmospheric post rock band called Una Corda. We originally jammed together for a Fluxus art show which was collated by Mr Bullen, where we performed two improvisational pieces especially for that evening. After the show we hooked up and discussed pushing the project further, which we are currently in the process of doing now.”

Have you rehearsed together?

“Yeah, quite a bit actually and I’ve really enjoyed it so far. We have so many ideas and similar influences that we probably have too many ideas at the moment, but it’s the freedom of the guitars that I am enjoying the most. As a three-piece you can really work off each other and there’s a really loose, noisey aspect to it, so I get to go mental.”

Obviously you and Nik probably go back a long way, do you remember first meeting him?

“Of course. He was at the Mermaid all the time when we started Doom in about ’85 and we all hung out, got trashed and listened to music together. I lost touch with him for a while, but then we got back together and made some more music just before he started Scorn. We’ve had our ups and downs over the years, but always kept on a good level.”

A collaboration between Nik Bullen and Johnny Doom is going to bring some crusties out in palpitations, do you reckon any long-term followers of your careers will be into it?

“Yes and no. The stuff we’re working on is quite proggy and noisy and al ot of it is just music with no lyrics. People expecting Napalm Death or Doom will probably find it a bit too arty!” he laughs. “However there is enough sonically that could interest lovers of punk, grind, noise and psychedelics alike. I just hope that people will feel the same freedom from it that I am. Music for me has become so ordered of late, so predictable. Its nice to be creating beautiful chaos again.”

Anyone you’re looking forward to catching at Supersonic?

“Lots…Goblin, Head Of David, Thorr’s Hammer….too many to mention. A lot of the music I’m not even familiar with, but one of the most intriguing things about visiting Supersonic is just ambling around and experiencing new sounds and concepts. It’s a wonderful festival.”

You’ve been quite active in the whole Home Of Metal thing, what kind of impact do you think Supersonic has had on the area’s music scene?

“Supersonic festival and Home Of Metal project are really just an extension of the fantastic work of Jenny and Lisa from Capsule who have been putting on events and gigs in Birmingham for many years now. Their overall mission statement, to bring fresh underground experimental music to Birmingham has been very effective and brought with it so many exciting new aural experiences to starved locals that we are endebted to them for all their hard work. Long may they reign!”
For Tickets to Supersonic Festival buy here